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Archive for October 13th, 2013

On German TV (Bavaria Broadcasting): A PASSAGE TO INDIA (film drama, 1983)

Posted by ElJay Arem (IMC OnAir) on October 13, 2013

Bavarian Brodcasting / BR (Bayrischer Rundfunk): on 13th/14th Oct at 11:25 pm – 02:00 am CET (23:25 – 02:00 Uhr)

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PassageToIndiaPosterA Passage to India is a 1984 drama film written and directed by David Lean. The screenplay is based on the 1924 novel of the same title by E. M. Forster and the 1960 play by Santha Rama Rau that was inspired by the novel.

This was the final film of Lean’s career, and the first he had directed in 14 years. A Passage to Indiareceived eleven nominations at the Academy Awards, including Best PictureBest Director for Lean, and Best Actress for Judy Davis for her portrayal as Adela Quested. The movie won two awards.Peggy Ashcroft won the Academy Award for Best Supporting Actress for her portrayal as Mrs. Moore, making her, at 77, the oldest actress ever to win the award, and Maurice Jarre won his third award forBest Original Score.

The film is set in the 1920s during the period of growing influence of the Indian independence movement in the British Raj. Adela Quested (Judy Davis) and Mrs. Moore (Peggy Ashcroft) sail from England to India, where Ronny Heaslop (Nigel Havers), the older woman’s son and younger woman’s fiancé, is the magistrate in the provincial town of Chandrapore. Through school superintendent Richard Fielding (James Fox), the two visitors meet eccentric elderly Brahmin scholar Professor Godbole (Alec Guinness), and they befriend Dr. Aziz Ahmed (Victor Banerjee), an impoverished widower who initially meets Mrs. Moore in a moonlit mosque overlooking the Ganges River. Their sensitivity and unprejudiced attitude toward native Indians endears them to him. When Mrs. Moore and Adela express an interest in seeing the “real” India, as opposed to the Anglicised environment of cricket, polo, and afternoon tea the British expatriates created for themselves, Aziz offers to host an excursion to the remote Marabar Caves.

The outing goes reasonably well until the women begin exploring the caves with Aziz and his sizeable entourage. Mrs. Moore experiences an overwhelming sense of claustrophobia that forces her to return to the open air. She encourages Adela and Aziz to continue their exploration but suggests they take just one guide. The three set off for caves far from the rest of the group, and before entering, Aziz steps away to smoke a cigarette. He returns to find Adela has disappeared; shortly after he sees her running headlong down the hill, bloody and dishevelled. Upon their return to town, Aziz is jailed to await trial for attempted rape, and an uproar ensues between the Indians and the Colonials.

The case becomes a cause celebre among the British. When Mrs. Moore makes it clear that she firmly believes in Aziz’s innocence and will not testify against him, it is decided she should return to England. She subsequently suffers a fatal heart attack during the voyage and is buried at sea.

To the consternation of her fiancé and friends, Adela has a change of heart and clears Aziz in court. The Colonials are forced into an ignominious retreat while the Indians carry the exonerated man from the courtroom on their shoulders, cheering wildly. Fielding looks after Adela since she has no one else to turn to. In the aftermath, Miss Quested leaves India, while Dr. Aziz, feeling betrayed by his friend Fielding, abandons his Western attire, dons traditional dress, and withdraws from Anglo-Indian society, opening a clinic in Northern India, in Kashmir near the Himalayas. While he remains angry and bitter for years, he eventually reconciles with Fielding and writes to Adela to convey his thanks and forgiveness.

(Source: 10/2013 – Wikipedia.org)

… with English Subtitle.

… in HD quality.

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Posted in Culture (news), Economics (news), Education (news), Health Care (news), Politics (news), Religion (news) | Tagged: , | Leave a Comment »

IMCRadio’s Broadcasting plan for the IndiaMusicWeek (IMW)… 6th-13th Oct 2013.

Posted by ElJay Arem (IMC OnAir) on October 13, 2013

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All Broadcasting dates see Google Calendar: http://bit.ly/1fH1VDZ (Downloadable as iCal: http://bit.ly/16eWlTj )

playtime (onair) in Eastern Time (EST): IMC – India meets Classic presents…
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1. 7th Oct (Mon) : 08:00 am – 10:00 am @ Tide Radio (Germany/Hamburg)
2. 7th Oct (Mon) : 03:00 pm – 05:00 pm @ Radio RaSA (Switzerland)
3. 8th Oct (Tue) : 08:00 am – 10:00 am @ Radio RaSA (Switzerland)
4. 8th Oct (Tue) : 05:00 pm – 07:00 pm @ Tide Radio (Germany/Hamburg)
5. 9th Oct (Wed) : 07:00 am – 09:00 am @ radio multicult.fm (Germany/Berlin)
6. 9th Oct (Wed) : 11:00 am – 01:00 pm @ Radio RaSA (Switzerland)
7. 10th Oct (Thur): 05:00 pm – 07:00 pm @ Tide Radio (Germany/Hamburg)
8. 11th Oct (Fri) : 07:00 am – 09:00 am @ radio multicult.fm (Germany/Berlin)
9. 13th Oct (Sun) : 07:00 am – 09:00 am @ radio multicult.fm (Germany/Berlin)

Tide-TV-960-NET (Logo)    Rasa-ch-logo-2    RTEmagicC_multicult.fm_LOGO.jpg       SABN-Logo-Variante-Black-on-White-with-Shaddow-1

playtime (onair) in Central European Time (CET): IMC – India meets Classic presents…
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1. 7th Oct (Mon): 02:00 pm – 04:00 pm @ Tide Radio (Germany/Hamburg)
2. 7th Oct (Mon): 09:00 pm – 11:00 pm @ Radio RaSA (Switzerland)
3. 8th Oct (Tue): 02:00 pm – 04:00 pm @ Radio RaSA (Switzerland)
4. 8th/ 9th Oct (Tue/Wed): 11:00 pm – 01:00 am @ Tide Radio (Germany/Hamburg)
5. 9th Oct (Wed): 01:00 pm – 03:00 pm @ radio multicult.fm (Germany/Berlin)
6. 9th Oct (Wed): 05:00 pm – 07:00 pm @ Radio RaSA (Switzerland)
7. 10th/11th Oct (Thur/Fri): 11:00 pm – 01:00 am @ Tide Radio (Germany/Hamburg)
8. 11th Oct (Fri): 01:00 pm – 03:00 pm @ radio multicult.fm (Germany/Berlin)
9. 13th Oct (Sun): 01:00 pm – 03:00 pm @ radio multicult.fm (Germany/Berlin)

All stations offer beside local/regional FM/Cable Web streams for worldwide listening as Internet Radio – http://www.imcradio.net/streams .

Contact: indiamusicweek@imcradio.net

Posted in Broadcasting Calendar, India Music Week (2013), Medias | Tagged: | Leave a Comment »

playlists of IMC broadcasting: special I-III for India Music Week (N.Y.)

Posted by ElJay Arem (IMC OnAir) on October 13, 2013

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special I… Energy of the Sound – Raga Chikitsa:

– Healing Music – Nada Chikitsa (part 1/2)

  1. Shruti Sadolikar – Track 3: Raga Ahir Bhairav (15:25) – CD: Morning Ragas, Vol. 1 (1990/92, Living Media India Ltd./Music Today)

    Effect of Saptaswaras and Chakra Meditation

  2. Nisar Hussain Khan – Track 1: Rag Nat Bhairav (14:45) – CD: Nat Bhairav (2004, SaReGaMa)
  3. Bhimsen Joshi – Track 2: Raga Hindol Bahar ‘Koyaliya Bole’ (14:58) – CD: Basant Bahar, Vol. 2 (1995, Living Media India Ltd.)
  4. Shiv Kumar Sharma – Track 2: Raga Kedar (19:54) – CD: Soul Stirring Strings {Santoor Wadan} (1993/2006, Venus Records & Tapes Ltd.)

– Healing Music – Nada Chikitsa (part 2/2)

  1. Ustad Shamim Ahmed Khan – Track 7: Raga Chandrakauns (12:09) – CD: Sitar Maestro (1998, Navras Records)
  2. C.R. Vyas – Track 2: Raga Bhimpalasi (18:44) – CD: Sangeet Sartaj, Vol. 1 & 2 (1998, Music Today)
  3. Amjad Ali Khan – Track 2: Raga Brindabani Sarang – Vilambit Gat In Teental (18:39) – CD: Raga Bilaskhani Todi & Brindabani Sarang (1994, Navras Records)
  4. Hariprasad Chaurasia – Track 2: Raga Bageshwari (10:49) – CD: Maestro Of The Indian Flute  –  Introducing The Masters (2006/2008, SaReGaMa India Ltd.)

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special II… NADA – A Concept of Sound:

– Ahata – The external Sound (part 1/2)

  1. Mohammad Sharif Khan (Vichitra Veena) – Ustad Sharif Khan II – Track 1: Miyan Ki Todi (12:44) (1978, Pakistan)
  2. S.P. Balasubramanayam – Gaana Vidya song (04:38) – Kannada Film: Gaana Yogi Pachaksra Gawai (2001, Ananda Audio Video)Katyayana (c. 200 BCE)
  3. Dilip Kumar Roy – Track 1: Om Mano Budhyahnkar (3:30) – Om Mano Budhyahnkar (2004, SaReGaMa Ltd.)
  4. Unnikrishnan – Track 1: Shivaashtakam (Sanskrit) (5:11) – Shiva Stuthi (2005, Sruthilaya Audio Recording)
  5. Ustad Alla Rakha & Ustad Zakir Hussain – Track 1: Jugalbandi – Taal Chartaal-Ki-Sawari, 11 Mantras (26:04) – Together (1989, Music India / 2000, Magna Sound – Omni Music)
  6. Madurai Mani Iyer – Track 5: Meenakshi Memudam Purvikalyani Aadi Mdikshitar (25:06) – Palani Temple Concert (1962)
  7. Dr. Chitti Babu – Track 3: Nadaloludai (16:09) – A Tribute to Chitti Babu – Veena Vol. 1 (1999, SaReGaMa Ltd.)

– Anahata – The inner Sound (part 2/2)

  1. Amir Khan – Track 2: Raga Kalashri (15:43) – CD Maestro’s Choice – Amir Khan (2003, Living Media India Ltd.)
  2. Pandit Baldev Raj Verma – Track: Raag Shivranjini (final) (6:10)
  3. Kankana Banerjee – Track: Darbari (tarana, ektala) (3:37) – LP The Multi-Faceted Genious of Ameer Khusrao (1975, HMV)
  4. Swami Maheshwarananda – Mantra Chanting: SO HAM (23.12.2008, Swamiji.tv)
  5. Jagjit Singh – Track: Gayatri Mantra Chant (5:32) – CD Gayatri Mantra (2008, Big Music Inc.)
  6. Singh Bandhu – Track: Kalawati (4:28) – LP Kalawati (1980, HMV)
  7. Munir Khan – Track: Marwa (Vilambit) (10:16) – CD Maestro of Sarangi – Ustad Muni Khan (2007, DOM)
  8. Munir Khan – Track: Marwa (Drut) (12:07) – CD Maestro of Sarangi – Ustad Muni Khan (2007, DOM)

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special III… Music, Sound & Language:

– Structure of Music and Language (part 1/2)

  1. Zakir Hussain (Tabla Solo) & Mohammad Omar – CD Ustad Mohammad Omar: Virtuoso from Afghanistan (2002, Smithsonian Folkways Records)
  2. Shahid Parvez (Sitar) – Raga Deshkar – CD Maestros Choice (1992, Living Media)
    Busto di Pitagora. Copia romana di originale greco. Musei Capitolini, Roma.
  3. Aruna Sayeeram (vocal) – Raga Mohanam – CD The Jewels of Oothukkadu (2005, AVM Audio)
  4. Kaushiki Chakrabarty (vocal) – Raga Misra Mand (Thumri) – CD Pure (2004, Senseworld Music)
  5. Bhimsen Joshi (vocal) – Raga Shankara (Khyal) – In Celebration – Vol. 2 (2000, Navras Records)
  6. Sultan Khan (Sarangi) & Zakir Hussain (Tabla) – Raag Charukeshi (Alap & Gat) – CD Raag Charukeshi & Folk Tunes
  7. Padma Talwalkar (vocal) – Raga Durga (1998, Nimbus Records)
  8. Sayeeduddin Dagar (vocal) – Raga Bhairav (Dhrupad) – CD Lineage of Dhrupad (2004, Senseworld Music)

– Inter-Action… Communication and Music (part 2/2)

  1. Uday Bhawalkar (vocal) – Rag Malkauns (Dhrupad Composition)- CD Raga Shri – Raga Malkauns (1998, Nimbus Records)
  2. Santosh Nahar (violin) – Tappa In Raga Kafi (Addha Taal) – CD The Golden Bow (2002, SenseWorld Music)
  3. Enyet Khan (sitar) – Raga Bhupali – CD Prof. ENAYET KHAN – Centenary Tribute from Megaphone (2004, The Megaphone Company)
  4. Raghunath Seth (flute) – Raag Shuddh Sarang (Gat In Rupak Taal) – CD Pandit Raghunath Seth (1997, Navras Records)
  5. Meeta Pandit (vocal) – Raga Bilaskhani Todi  – CD Tansen (14 original compositions of the legend) (2006, Music Today)
  6. Pt. Jasraj (vocal) with Appa Jalgaonkar (Harmonium) – Raga Bageshwari  – CD Night Ragas – Volume 2 (994, Music Today)
  7. Ravi Shankar (Sitar) & London Symphony Orchestra (Conductor: Andre Previn) – Fourthmovement: Raga Manj Khamaj – CD Concerto For Sitar & Orchestra (original: 1998, 2005:Digital Remastering – EMI Classics)
  8. Dr. L. Subramaniam (violin) – Ragam Vasantapriya – Three Ragas for solo violin (Sarasvatipriya, Vasantapriya, Sivapriya) (1990, Nimbus Records)

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Live (stream) @ India Music Week (13th Oct): Vocalist Pushkar Lele (Hindustani) with Tabla & Harmonium.

Posted by ElJay Arem (IMC OnAir) on October 13, 2013

India Music Week (6th-13th Oct 2013)… http://www.imcradio.net/indiamusicweek | @Facebook

India-music-week-06102013-1-header-560

live on stage: Pushkar Lele (Hindustani vocalist) with Tabla & Harmonium

IMW_logo-newartists: Pushkar Lele (vocal), Sanjay Deshpande (Tabla), Vyasmurti Katti (Harmonium).

date: Sunday October 13th, 5:00-7:00pm EST

venue: Chhandayan Center for Indian Music 4 West 43rd Street, Suite 618 – New York, NY 10036, United States
landmark: Between 5th & 6th Avenues

Buy in hall ticket here. –  Or watch this concert streamed LIVE online here. The price is $6.

(Rec.: The streaming starts 10 minutes before the concert and ends shortly after the concert ends. There will be no video outside of these times. But, access can be purchased anytime before or during the concert. – For support on the Pay per view purchasing system, please call 855-896-9300 or +33 177 126 888.)

Description: 

Pushkar-LeleBelonging to the tradition of Pt. Kumar Gandharva, Pushkar Lele (@Facebook) is today, one of India’s leading young and sought-after classical vocalists. A rigorous study of more than two decades with renowned and able Gurus like Pt. Gangadharbua Pimpalkhare (disciple of Pt. Vinayakbua Patwardhan) of the Gwalior gharana, Shri.Vijay Koparkar (disciple of Dr. Vasantrao Deshpande & Pt. Jitendra Abhisheki), Pt. Vijay Sardeshmukh and Pt. Satyasheel Deshpande (both, senior disciples of Pt. Kumar Gandharva) has enriched Pushkar with a rich fund of knowledge. He is a recipient of the Central Government scholarship for classical vocal music awarded by the Centre for Cultural Resources and Training (CCRT) as well as the scholarship from the Department of Culture, Government of India. He has featured on various TV Channels like E-TV (Marathi), Zee Marathi, Doordarshan (Sahyadri) and has been exclusively interviewed on Akashwani Sydney and Worldspace Radio. He is a regular performer on AIR (All India Radio).

Pushkar holds a Master’s Degree in Music from Lalit Kala Kendra (Centre for Performing Arts), University of Pune and is the recipient of numerous prestigious awards like Pandit Jasraj Gaurav Puraskaar, Pandit Vishnu Digambar Paluskar Award, Dr. Vasantrao Deshpande Yuva Kalakaar Puraskaar, ‘Sur Mani’, Gayanacharya Ramkrishnabua Vaze Puraskaar, Sudhir Phadke Yuvonmesh Puraskaar and Pt. Jitendra Abhisheki Smruti Yuva Puraskaar. Pushkar is also the recipient of the prestigious Sanatan Sangeet Puraskaar, whose past awardees include the likes of U.

A much sought after artiste, Pushkar performs regularly all over India and has performed on various prestigious music stages like the Pune Festival, Tansen Samaroha (Gwalior), NCPA (Mumbai), Nehru Centre (Mumbai), Kalidaas Festival (Nagpur), Bharat Bhavan (Bhopal), Kala Academy (Goa), Prayag Sangit Samiti (Allahabad), Pt. V. D.Paluskar Jayanti Sangeet Samaroha (New Delhi), Shriram Shankarlal Music Festival (New Delhi), Bhakti Utsav (New Delhi), Delhi International Arts Festival, ICCR (New Delhi). Internationally he’s been to USA, Australia, Belgium, Netherlands, Singapore and UAE for concert tours.

Apart from pure classical, he also presents Natyasangeet, Bhavgeet, Bhajan, Tappa, Thumri, Dadra, Hori and other semi-classical and folk forms with exceptional ease and expertise. Pushkar is the Founder-Director of ‘Gandhaar School of Music’ where students are trained in Hindustani Classical Vocal Music using a contemporary approach. He is also on the panel of Guru-s of Lalit Kala Kendra, University of Pune as well as Shadja.com, a virtual gurukul to teach classical music online. Pushkar has been featured as one of 35 Young Achievers from all over India, belonging to various fields by INDIA TODAY magazine and has many albums to his credit brought out by Alurkar Music House, Ninaad Creations, Dreams Entertainment…

(Source: 10/2013 – ARC – Archive of Contemporary Music |IndiaMusicWeek (IMW) + Chhandayan.com)

Pushkar Lele live in Mumbai…

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Posted in India Music Week (2013), Live around the globe | Tagged: , , | Leave a Comment »

Live @ India Music Week (13th Oct): Deva Premal & Mitten (MantraFest)

Posted by ElJay Arem (IMC OnAir) on October 13, 2013

India Music Week (6th-13th Oct 2013)… http://www.imcradio.net/indiamusicweek | @Facebook

India-music-week-06102013-1-header-560

live on stage: Deva Premal & Miten with Manose / special guests: The Guruganesha Band

IMW_logo-newon stage: Deva Premal & Miten, Manose, Maneesh de Moor, The Guruganesha Band

date: Oct 13, Sunday, 7pm CET

Set times:
7:00 PM Cello performance by Hans Christian
7:10 PM – 8:30 PM GuruGanesha Band
8:30 PM – 9:00 PM Intermission
9:00 PM – 11:00 PM Deva Premal & Miten with Manose Singh and Maneesh de Moor

venue: Macky Auditorium (Concert Hall)
University Ave and 17th Street Boulder, CO 80309 (see Map)

price: 30-70 US$ – Tickets here…

Get ready to experience the beauty and bliss of the world’s most sacred mantras! – MantraFest 2013 brings together two visionary musical ensembles: the amazing Deva Premal & Miten with Manose (and Maneesh de Moor) and The GuruGanesha Band.

Deva Premal and Miten are among the chief architects of the sacred chant phenomenon that has energized the yoga and meditation movement in recent years. The legendary GuruGanesha has put together a sizzling array of multi-cultural musicians, garnering rave reviews wherever they perform.

The tour, which kicks off this Fall 2013, will reach from Miami to Vancouver and Montreal to Phoenix

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Get ready to experience the beauty and bliss of the world’s most sacred mantras!

MantraFest 2013 brings together two visionary musical ensembles: the amazing Deva Premal & Miten with Manose (and Maneesh de Moor) and the GuruGanesha Band. Deva Premal and Miten are among the chief architects of the sacred chant phenomenon that has energized the yoga and meditation movement in recent years. The legendary GuruGanesha has put together a sizzling array of multi-cultural musicians, garnering rave reviews wherever they perform. The tour, which kicks off this Fall 2013, will reach from Miami to Vancouver and Montreal to Phoenix, is presented by Reed’s Culture Club Kombucha and produced by BrightStar Live Events.

Deva-Prem

(Source: 10/2013 – ARC – Archive of Contemporary Music |IndiaMusicWeek (IMW))

Posted in India Music Week (2013), Live around the globe | Tagged: , , | Leave a Comment »

Scheme of Indian Classics (poster): “The Colours of Indian Classical Music”

Posted by ElJay Arem (IMC OnAir) on October 13, 2013

Raag Rang (by Pratyush Gupta)

IMW_logo-newMusic of India is said to be one of the oldest unbroken musical traditions in the world. Many different legends have grown concerning its origin and development. This infographic reveals some of the cultural, scientific and mathematical secrets behind Indian classical music.

Graphic designer Pratyush Gupta‘s “The Colours of Indian Classical Music” presents a poster-sized chart to help you better understand this vast musical system.

poster-colours-of-Indian-Music-550

About the artist…

Partyush Gupta has graduated from Srishti School of Art, Design and & Technology, Bangalore. He is specialise in, but not limited to visual communication design. Gupta likes to work with his own hands with combining the 2D and 3D. Music is very close to his heart and plays an important role in the way he thinks and designs. Gupta is also fascinated by insects. His favourite colour is orange.

Download as PDF…

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Posted in Culture (news), Education (news), India Music Week (2013) | Leave a Comment »

special feature III for India Music Week (N.Y.): Music, Sound & Language (part 1 and 2)

Posted by ElJay Arem (IMC OnAir) on October 13, 2013

Website: http://www.imcradio.net/indiamusicweek | @ Facebook page

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special feature III for the India Music Week (New YorK): MUSIC, SOUND & LANGUAGE
part 1: Structure of Music & Language | part 2: Interaction – Music & Communication

Busto di Pitagora. Copia romana di originale greco. Musei Capitolini, Roma.

Busto di Pitagora. Copia romana di originale greco. Musei Capitolini, Roma. (Source: Wikipedia (ENG))

The relationship between music and language, between sounds and the spoken word or vocals is a very special one. The grammarians of Sanskrit, the ancient Indian science language regard music and language as divergent aspects of one and the same phenomena.

With Indian classial music (Hindustani, Carnatic) there is a multiplicity in common under the topic to “music and language “, which is the bases of the occidental harmonics, dated back to the founder of the mathematical analysis of music by Pythagoras of Samos who had evidenced empirically the harmonic intervals – approximately written before 500 B.C. .

Music seems to be reflected far less vaguely in us than it had been granted so far. Rather our perceptions of sounds are defined very exactly by outlined possibilities and borders. The audiomental system has greater importance than one had assumed recently.

special dates of broadcasting (for part 1 and 2)…

13th October 2013 – 07:00-08:00 am EST (01:00-03:00 p.m. CET) @ radio multicult.fm (DE/Berlin)
10th October 2013 – 05:00-06:58 pm EST (11:00 pm-00:58 am CET) @ TIDE Radio (
DE/Hamburg
 broadcasted
9th October 2013 – 06:00-08:00 am EST (01:00 pm-03:00 pm CET) @  Radio RaSA (CH) broadcasted
broadcasting plan | streaming (Internet Radio & Mobile Radio) | podCast

As shown by recent studies the perception of music and ‘music making’ incorporate nearby almost all regions of the brain. The widespread acceptance that music is processed in the right brain hemisphere and language in the left had completely been wrong. The current research shows that language and music are assimilated almost identically. The profound emotional content of music, from felicity to sadness affects particularly stimulating our brain and also produces frequently physically intensively perceptible reactions to the listener.

IMW_logo-newMusic settles visibly in our life, in brain activities which are measurable nowadays and made vividly visible with modern medical imaging techniques e.g. (functional) magnetic resonance tomography (MRT) or Magnetoencephalography (MEG), see picture below.

In part 1 of IMC – India meets Classic’s special feature “Music, Sound & Language” is presented the structure of music & language. The  following part 2 will bring light up the social psychological meaning of music for individual and community interaction processes influenced by the nature of music as communication form.

Stefan Koelsch: Nature Neuroscience 7(3), 2004: Music, Language and Meaning: Brain Signatures of Semantic Processing

Stefan Koelsch: Nature Neuroscience 7(3), 2004: Music, Language and Meaning: Brain Signatures of Semantic Processing

short paper (pdf: German | English)

Note: IMC OnAir’s radio show “music and language” in two parts (2x 58 min.) represents a fundamental introduction regarding the multiplicity of sciences involved (music ethnology,  anthropology, language and social sciences, neuro sciences, psychology, computer sciences (artificial intelligence) among others).

Posted in IMC OnAir - News, India Music Week (2013) | Tagged: , , , , , | Leave a Comment »

special feature III zur India Music Week (N.Y.): MUSIK, KLANG & SPRACHE (Teil 1 u. 2)

Posted by ElJay Arem (IMC OnAir) on October 13, 2013

Website: http://www.imcradio.net/indiamusicweek | @ Facebook page

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special feature III zur India Music Week (New YorK): MUSIK, KLANG & SPRACHE
Teil 1: Struktur von Musik und Sprache | Teil 2: Interaktion – Musik & Kommunikation

Busto di Pitagora. Copia romana di originale greco. Musei Capitolini, Roma.

Busto di Pitagora. Copia romana di originale greco. Musei Capitolini, Roma. (Source: Wikipedia (ENG))

Die Beziehung zwischen Musik und Sprache, zwischen Klang und gesprochenem oder gesungenem Wort ist eine Besondere. Die Grammatiker des Sanskrits, der alten indischen Wissenschaftssprache, betrachten Musik und Sprache als divergierende Aspekte ein und desselben Phänomens.

Mit der indisch klassischen Musik (Hindustani, Carnatic) gibt es eine Vielzahl von Gemeinsamkeiten unter der Überschrift “Musik und Sprache“, die auch die Grundlagen der abendländischen Harmonielehre sind, deren Beginn man mit dem Begründer der mathematischen Analyse der Musik – Pythagoras von Samos – und seinen empirischen Beweisführung der harmonischen Intervalle auf etwa mehr als 500 Jahre vor Christi Geburt datieren kann.

Musik scheint sich weit weniger diffus in uns abzubilden, als bisher angenommen. Vielmehr wird unsere Wahrnehmung von Tönen durch sehr genau umrissene Möglichkeiten und Grenzen definiert. Dem audiomentalen System kommt eine weit aus größere Bedeutung zu, als man bis vor Kurzem angenommen hatte.

Sondersendetermine…

13. Oktober 2013 – 13:00-15:00 Uhr CET (07:00-09:00 am EST) @ radio multicult.fm (DE/Berlin)
10./11. Oktober 2013 – 23:00-00:58 Uhr CET (05:00-06:58 pm EST) @ TIDE Radio (
DE/Hamburg) gesendet
9. Oktober 2013 – 17:00-19:00 Uhr CET (11:00am-01:00 pm EST) @ Radio RaSA (CH) gesendet
broadcasting plan | streaming (Internet Radio & Mobile Radio) | podCast

In Teil 1 seines specials No. III zur India Music Week stellt IMC – India meets Classic die Struktur von Musik und Sprache dar. In Teil 2 werden die sozialpsychologische Bedeutung von Musik für das Individuum und seine Interaktionsprozesse aus seiner geschichtlichen Entwicklung und aus dem Wesen der Musik näher beleuchten.

IMW_logo-newDie Wahrnehmung von Musik und das aktiv Musizieren, das zeigen uns jüngste Studien, beziehen nahezu alle Regionen des Gehirns mit ein. Die weitverbreitete Annahme, dass Musik in der rechten Gehirnhälfte und Sprache in der linken Gehirnhälfte verarbeitet wird, war schlichtweg falsch. Die aktuellen Forschungen zeigen auch, dass Sprache und Musik nahezu gleich verarbeitet werden. Der tiefgreifende, emotionale Gehalt der Musik, von Glückseligkeit bis zur Traurigkeit wirkt besonders stimulierend auf unser Gehirn mit für den Musikhörenden häufig körperlich intensiv wahrnehmbaren Reaktionen.

Musik schlägt sich sichtbar in unserem Leben nieder, in Gehirnaktivitäten, die heute mit modernen, bildgebenden Verfahren messbar sind und mit der (funktionellen) Magnetresonanz-Tomographie (MRT) oder  Magnetenzephalographie (MET) plastisch sichtbar gemacht werden können (Bild s. u.).

Stefan Koelsch: Nature Neuroscience 7(3), 2004: Music, Language and Meaning: Brain Signatures of Semantic Processing

Stefan Koelsch: Nature Neuroscience 7(3), 2004: Music, Language and Meaning: Brain Signatures of Semantic Processing

short paper (pdf: German | English)

Hinweis: Die 2-teilige IMC-Sendung “Musik und Sprache” (2x 58 min.) stellt angesichts der Vielzahl der beteiligten Wissenschaften (Musikethnologie, Anthropologie, Sprach- u. Sozialwissenschaften, Neuro-Sciences, Psychologie, Computerwissenschaften (künstliche Intelligenz) u.a. ) eine grundlegende Einführung dar.

Posted in IMC OnAir - News, India Music Week (2013) | Tagged: , , , , | Leave a Comment »

 
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