IMC – India meets Classic presents …

… radio shows for Indian (Music) Culture

Our best birthday wishes for vocalist Padma Talwalkar (born 28 Febr 1948)…

Posted by ElJay Arem (IMC OnAir) on February 28, 2013

padmataiPadma Talwalkar (born 28 February 1948) is an Indian classical vocalist. Padma Talwalkar was born in MumbaiIndia. She received training in Khyal gayaki in three main styles or gharanas: Gwalior, Kirana and Jaipur. Smt. Padma Talwalkar is considered to be one of the foremost exponents of Hindustani vocal music today. Her music, which combines feeling or “bhav” with technical brilliance, takes the listener to an almost ethereal plane.

Gifted and blessed with deep spiritual leanings from her very childhood, Padmatai fondly recalls singing every evening in a temple from the tender age of four, unmindful of the throng of devotees crowding around her. Encouraged by her parents to do so, she feels that even today when she performs in front of packed audiences, she sings for Him, the Almighty, offering her music both as a homage and in gratitude for the benevolence He has showered upon her. This sense of sincere devotion extends to her Gurus and also other senior musicians who have, in one way or another, influenced and inspired her musical thinking, notable amongst those being Ustad Amir Khan, Pandit Bhimsen Joshi and Pandit Kumar Gandharva.

MaifalSimple and unassuming in her living she, however, is very clear about her individual concept of what constitutes good music – the emphasis being on ‘swara’ (notes) and laya (tempo). Correctly and lovingly approached notes and a keen, internalized sense of tempo and rhythmic cycles (taala) are a must for music to be effective, she emphasizes. Her love for the accuracy and sanctity of notes she attributes to her first Guru, Pt. Pimpalkhare of the Gwalior Gharana, and the latter to her training under the late Shreemati Mogubai Kurdikar of the Jaipur Gharana. From Pandit Gajanan Bua Joshi she imbibed elements of the forceful and majestic Gwalior Gharana. She also gratefully acknowledges her musical debt to Shreemati Kishori Amonkar whose musical influences remain with her even today.

KalyanWhile mastery on swara and laya are undoubtedly the basic qualities of good music, there is something that goes beyond swara and laya, that distinguishes the “truly great” from the “good.” In her own words, when the artiste approaches the art with a feeling of total surrender and achieves an egoless state, the music happens of its own, as if it is flowing from some divine source.

Padmatai has received “seena-ba-seena” taleem in the Gwalior as well as Jaipur styles, and has imbibed the best from these styles, and yet created a style of her own which comes across in every alaap, in every musical phrase, and every taan in her presentation. Her music is devoid of gimmickry and acrobatics, yet the moment she closes her eyes and sings the first Shadja in her performance, she connects with the listener and draws him into her world.

(Source: 02/2013 – Wikipedia.org | Official Website)

Smt Padma Talwalkar’s detailed profile…

Raga Kedar…

Raga Malkauns…

Padma Talwalkar live…

+++

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

 
%d bloggers like this: