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Archive for January 12th, 2013

A – Raga CDs of the Months (01/13): Five minus 1 – Raga Malashree

Posted by ElJay Arem (IMC OnAir) on January 12, 2013

The Ragas and Ragams of North and South Indian Classics can exhibit most diverse combinations in the ascending and descending scale. In our time the Indian music maestros, vocalists and instrumentalists present some few hundred Ragas from thousands of combinations to the audience and listeners. The 5 notes (Andav), 6 notes (Sadava) or 7 notes Ragas (Sapta) are established.

In India one meets the opinion among musicologists and musicians as facts that Ragas with at least five notes (Audav/Sanskrit = five (5)) have to be played. The November show of IMC – India meets Classic will start @ Radio RaSA (and worldwide as Internet radio) the proof with rare  audio documents that it is not like that.

dates of broadcasting…

13th January 2013 – 05:00 pm EST (11:00 pm CET) @ Radio FRO (A)
(premiere: 21st December 2009 (04:00 pm EST) @ Tide Radio)
broadcasting plan | streaming (Internet Radio & Mobile Radio) | podCast

Our topic „five minus 1″ lets suspect that there must exist 4 notes ragas in Indian Classics also. The ancient Raga Malashree or Malshree is the representative of this category, a Raga of North Indian Classics, the Hindustani music. Its phonetically identical namesake Malasri is even a 3 note Raga.

Raga Malasri scala on key note C : C E G C | Sa – Ga – Pa – Sa’ ( 1 3 5 )
Raga Malashree plus 7th pitchNi (1 3 5 7)

Raga MalaShree regularly possesses four (4) notes, Svarantara (popular type). The 1st, 3rd, 5th and 7th pitch is played: SA – Ga – Pa and Ni. It is a kind of major triad with an extended 7th pitch, in Jazz a major seven (maj 7).

The name Malashri appears in India also as maiden name. Malashri originates from Sanskrit and means „marvelous garland “.

Ragamala paintings from Rajasthan (India):
Malasri Ragini – 3rd wife of male Raga Bhairava (morning raga)

.…….

left: c. 1650, artist: unknown  (British Library) | right: c. 1605, artist: Nisaruddin (Los Angeles County Museum of Art)

The „Garland of Ragas“ is illustsrated by motives and a kind of story telling in the Indian miniature painting, the Ragamala-s.  IMC – India meets Classic presented the special composition form in one of it’s former shows.

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Raga Malasri (3 notes) and Malshree (4 notes):
the selected key note is C the scale has 3 (Malasri) or 4 (Malshree) notes plus the octave
the scale is ascending
the default scale keynote is C
scale on C (see displayed graphically) : C E G (B) C
scale intervals in semitone or half steps from key note : 0 4 7 (11) 12
note to note interval : M3 m3 P4 (Malasri) or M3 (Malshree)
interval quality : dd: doubly diminished, d: diminished, m: minor, P: perfect, M: major,
A
: augmented, dA: doubly augmented
(Source: Dolmetsch.com – http://www.dolmetsch.com/pianochords.htm)

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A – Raga CDs des Monats (01/13): Fünf minus 1 – Raga Malashree

Posted by ElJay Arem (IMC OnAir) on January 12, 2013

Die Ragas und Ragams der nord- und südindischen Klassik können in der aufsteigenden und absteigenden Skala verschiedenste Kombinationen aufweisen. In unserer Zeit präsentieren die indischen Musik-Maestros, Sänger wie Instrumentalisten dem Publikum und Zuhörer wenige hunderte Ragas aus Tausenden von Kombinationsmöglichkeiten. Etabliert haben sich die 5-Ton- (Andav), 6-Ton- (Sadava) oder 7-Ton-Ragas (Sapta).

In Indien trifft man unter Musikwissenschaftlern wie Musizierenden auf die Meinung, dass Ragas mit wenigstens fünf Noten (Audav / Sanskrit = fünf (5)) gespielt werden müssten. Die November-Sendung von IMC – India meets Classic tritt auf Radio RaSA und weltweit als Internet-Radio mit seltenen Tondokumenten den Beweis an, dass dem nicht so ist.

S e n d e t e r m i n e …

13th January 2013 – 23:00 Uhr CET (05:00 pm EST) @ Radio FRO (A)
(Premiere: 21. Dezember 2009 (22:00) – Tide Radio)
broadcasting plan | streaming (Internet Radio & Mobile Radio) | podCast

Der Titel „Fünf minus 1“ lässt erahnen, dass es in der indischen Klassik auch 4-Ton-Ragas geben muss. Der antike Raga Malashree oder Malshree ist ein Vertreter dieser Kategorie; ein Raga der nordindischen Klassik, der Hindustani-Musik. Sein phonetisch gleichlautender Namensvetter Malasri ist sogar ein 3-Ton-Raga.

Raga Malasri-Skala auf dem Grundton C : C E G C | Sa – Ga – Pa – Sa’ ( 1 3 5 )
Raga Malashree zusätzl. mit 7. Stufe Ni (1 3 5 7)

Raga MalaShree besitzt regulär vier (4) Noten, Svarantara. Es werden die 1., 3., 5. und 7. Stufe gespielt: Sa – Ga – Pa und Ni. Eine Art Dur-Dreiklang mit einer erweiterten 7. Stufe, im Jazz ein Major seven (maj 7).

Der Name Malashri findet sich in Indien auch als Mädchenname wieder. Ursprünglich stammt Malashri aus dem Sanskrit und bedeutet „wunderbare Girlande“.

Ragamala Malereien aus Rajasthan (Indien):
Malasri Ragini – 3. Ehefrau des männl. Ragas Bhairava (Morgenraga)

.…….

links: c. 1650, Künstler: unbekannt (British Library) | rechts: c. 1605, Künstler: Nisaruddin (Los Angeles County Museum of Art)

Eine „Girlande von Ragas“ motivisch und namentlich illustriert finden wir in der indischen Miniaturmalerei, den Ragamalas. Die besondere Kompositionsform der Raga-Girlanden, der Ragamalas haben wir in einer unserer früheren Sendungen vorgestellt.

____________________________________________

Raga Malasri (3 notes) and Malshree (4 notes):
the selected key note is C the scale has 3 (Malasri) or 4 (Malshree) notes plus the octave
the scale is ascending
the default scale keynote is C
scale on C (see displayed graphically) : C E G (B) C
scale intervals in semitone or half steps from key note : 0 4 7 (11) 12
note to note interval : M3 m3 P4 (Malasri) or M3 (Malshree)
interval quality : dd: doubly diminished, d: diminished, m: minor, P: perfect, M: major,
A
: augmented, dA: doubly augmented
(Quelle: Dolmetsch.com – http://www.dolmetsch.com/pianochords.htm)

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Celebrating 150th birth anniversary of Swami Vivekananda, India

Posted by ElJay Arem (IMC OnAir) on January 12, 2013


swami_vivekananda_150

Vivekananda (12 January 1863–4 July 1902), born Narendra Nath Datta, was a key figure in the introduction of Indian philosophies of Vedanta and Yoga to the western world and bringing Hinduism to the status of a major world religion in the late 19th century. He is perhaps best known for his inspiring speech beginning with “Sisters and Brothers of America,” through which he introduced Hinduism at the Parliament of the World’s Religions in Chicago in 1893.He was the chief disciple of the 19th century saint Ramakrishna and the founder of the Ramakrishna Math and the Ramakrishna Mission.

January 12 marks the beginning of year-long celebration of 150th birth anniversary of Swami Vivekananda. The event will no doubt be celebrated by many organizations and millions of people all over India and in many other parts of the world.

His birthday is also observed as the National Youth Day and is celebrated with great enthusiasm.

Wake up India, Enlighten the World !

(Source: 1th Jan 2013 – India @ Google plus Group)

Posted in Culture (news), Education (news), Religion (news) | Leave a Comment »

12th Jan – Day “12” of 33rd SAPTAKT Festival 2013 (Ahmedabad) with tribute to the Co-founder & Sitar Legend Pandit Ravi Shankar (04/07/1920 – 12/11/2012)

Posted by ElJay Arem (IMC OnAir) on January 12, 2013

saptakfestival-header-2013

FULLY PROGRAMME OF DAY 1-13 here: http://bit.ly/VfwnH2

Line up of DAY 12 (status 12/18/2012)…

Event ::  Day 12 of Saptak Annual Festival- 2013 (01-01-2013 To 13-01-2013)
Sr. No Artist’s Name Instrument/ Vocal Date Time
1 Shri Josh Bennett Sitar 12/01/2013
8.00 PM
Shri Sapan Anjaria Tabla
2 Sushri Jahnavi Phansalkar Vocal
Shri Nitin Hegde Tabla
Shri Abhishek Kathe Harmonium
Shri Illyas Khan Sarangi
3 Pt. Satish Vyas Santoor
Shri Ojas Adhiya Tabla
4 Pt. Rajan Mishra Vocal
Pt. Sajan Mishra
Pt. Kumar Bose Tabla
Shri Dharamnath Mishra Harmonium

Event Venue – Amrut Mody School of Management,
Plot No. 16/1, Vikram Sarabhai Marg, Opp. IIM,
Navrangpura, Ahmedabad
(Source: 12/2012 – Saptak.org (official website))

pls keep updated on the SAPTAK Facebook event page, too: http://on.fb.me/VfvTAy

Your condolences and Tribute to Sitar Legend Pt. Ravi Shankar are welcome here:
http://www.facebook.com/LegacyofRaviShankar

 

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