IMC – India meets Classic presents …

… radio shows for Indian (Music) Culture

Raga CDs of the Months (06/08): TALA – Indian Rhythm Cycles.

Posted by ElJay Arem (IMC OnAir) on May 29, 2008

in June 2008 IMC – India meets Classic is on “summer holiday” ( and we are back on 1st July ’08 )

Raga CDs of the Months (repetition from Dec. 2007)

TALA – Indian Rhythm Cycles

Same as for Indian Ragas, there are different traditions and developments of the North Indian classical period over hundreds of years since the 16th century, the Hindustani music and South Indian Classical period (Carnatic) are reflected in the system of the rhythms.

date of broadcasting: 3rd June 2008 – 09:00 p.m. (MESTZ)
(2nd date of broadcasting: 5th June 2008 – 03:00 a.m. (MESTZ))
broadcasting plan | streaming (Internet Radio & Mobile Radio) | podCast

Tala is a Sanskrit word (Talā) and means clap. It is the Indian system for rhythms of Hindustani Music.

Tala-s… the 10 standards + 3 special forms

One can approach over the harmony theory to the Tala-s, via the “cadences“, a succession of groups of sounds (groups of chords). This rather unstable sound system of strain and relaxation is the basis e.g. for the Indian Rhythmic composition Tikhai, Mukhard and Parvan. The alternative…

Arvartan… the concept of the cycles.

With Arvatan, the concept of cycles exists a music philosophical understanding of the Indian classical period. The Tala-s are much rather illustrated hereby and therefore Arvartan – the concept of cycles is the subject of our December 2007 show.

The cyclic concept reflects the understanding of Hindu philosophy of the universe, which follows the principle of repetitive cycles (Rhythm Cycles), too. The cycle of nature is represented in Indian Classical music and illustrated by the rhythmic principles of Tala-s.

System der Talas - Konzept der Zyklen…

The prominent percussion instrument of North Indian Classics is the Tabla. It is a pair of drums covered with goat skin and appears for Indian Ragas on stages as rhythmic accompanying instrument and in solo play for Raga interpretations. The Tabla sound characteristics are unmistakable.

Percussioninstrumente - Ghatam (Tonkrug) Percussioninstrumente - Hanjira Percussioninstrumente - Mridangam Percussioninstrumente - Pakhawaj Percussioninstrumente - Tabla

Ghatam | Hanjira | Mridangam | Pakhawaj | Tabla

The Tabla was developed from the Pakhawaj, a drum, which can be found in the Dhrupad, the eldest existing vocal style of India nowadays. Beside these two instruments we find the Mridangam and Ghatam for rhythmics in South Indian Classics. The Carnatic music has it’s own Raga scales (Ragam) and rhythmical system (Talam).

Advertisements

4 Responses to “Raga CDs of the Months (06/08): TALA – Indian Rhythm Cycles.”

  1. […] und schliesst an die reguläre Sendung “Raga CDs des Monats” mit dem Thema “Tala – der indische Rhythmuszirkel” (Tala – Indian Rhythm Cycles) […]

    Like

  2. […] und schliesst an die reguläre Sendung “Raga CDs des Monats” mit dem Thema “Tala – der indische Rhythmuszirkel” (Tala – Indian Rhythm Cycles) […]

    Like

  3. […] The FestivalReport 2008 is set under the topic “World of Indian Rhythms” and attaches to the regular monthly show “Raga CDs of the months” of June 2008 with the topic “Tala – Indian Rhythm Cycles”. […]

    Like

  4. Micki said

    continuously i used to read smaller articles which also clear their motive, and that is also happening with
    this paragraph which I am reading now.

    Like

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google+ photo

You are commenting using your Google+ account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

 
%d bloggers like this: