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study: Media Piracy in Emerging Economies

Posted by ElJay Arem (IMC OnAir) on February 1, 2012

by Prof. Nico Carpentier(PhD)

Media Piracy in Emerging Economies is the first independent, large-scale study of music, film and software piracy in emerging economies, with a focus on Brazil, India, Russia, South Africa, Mexico and Bolivia.

Based on three years of work by some thirty-five researchers, Media Piracy in Emerging Economies tells two overarching stories: one tracing the explosive growth of piracy as digital technologies became cheap and ubiquitous around the world, and another following the growth of industry lobbies that have reshaped laws and law enforcement around copyright protection. The report argues that these efforts have largely failed, and that the problem of piracy is better conceived as a failure of affordable access to media in legal markets.

Major Findings

  • Prices are too high. High prices for media goods, low incomes, and cheap digital technologies are the main ingredients of global media piracy. Relative to local incomes in Brazil, Russia, or South Africa, the retail price of a CD, DVD, or copy of MS Office is five to ten times higher than in the US or Europe. Legal media markets are correspondingly tiny and underdeveloped.
  • Competition is good. The chief predictor of low prices in legal media markets is the presence of strong domestic companies that compete for local audiences and consumers. In the developing world, where global film, music, and software companies dominate the market, such conditions are largely absent.
  • Antipiracy education has failed. The authors find no significant stigma attached to piracy in any of the countries examined. Rather, piracy is part of the daily media practices of large and growing portions of the population.
  • Changing the law is easy. Changing the practice is hard. Industry lobbies have been very successful at changing laws to criminalize these practices, but largely unsuccessful at getting governments to apply them. There is, the authors argue, no realistic way to reconcile mass enforcement and due process, especially in countries with severely overburdened legal systems.
  • Criminals can’t compete with free. The study finds no systematic links between media piracy and organized crime or terrorism in any of the countries examined. Today, commercial pirates and transnational smugglers face the same dilemma as the legal industry: how to compete with free.
  • Enforcement hasn’t worked. After a decade of ramped up enforcement, the authors can find no impact on the overall supply of pirated goods. 

For more, click here.

(Source: 02/01/2012 - Vrije Universiteit Brussel (VUB – Free University of Brussels) - Communication Studies Department)

Related articles

Download the Full Media Piracy in Emerging Economies Report (426 pp.) from here 
with Chapter 8: “India: Lawrence Liang and Ravi Sundaram (60 pp.)”.

(Media Piracy in Emerging Economies is licensed under
a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License.)

Media Piracy in Emerging Economies Report (English Version)

Intro (6 pp) – Media Piracy in Emerging Economies Report (English Version)

Chapter 1 (74 pp.): Rethinking Piracy – Media Piracy in Emerging Economies Report (by Joe Karaganis)

Chapter 2 (24 pp.): Networked Governance  - Media Piracy in Emerging Economies Report (by Joe Karaganis and Sean Flynn)

Chapter 8 (60 pp.): INDIA – Media Piracy in Emerging Economies Report (by Lawrence Liang and Ravi Sundaram)

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Cannes: midem 2012 (28-31 Jan) – PR Guide

Posted by ElJay Arem (IMC OnAir) on January 28, 2012

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Cannes: midem 2012 (28-31 Jan) – Highlights

Posted by ElJay Arem (IMC OnAir) on January 28, 2012

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Cannes: midem 2012 (28-31 Jan) – Conference Programme

Posted by ElJay Arem (IMC OnAir) on January 28, 2012

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Cannes: midem 2012 (28-31 Jan) – press releases and press kits (12/14/2011)

Posted by ElJay Arem (IMC OnAir) on December 14, 2011

Consult midem 2012 press releases and press kit. View client press releases.

THE MOST INNOVATIVE TECH, MUSIC AND BRANDS
INITIATIVES UNVEILED AT MIDEM

(Paris – 14 December 2011) midem, which takes place in Cannes from 28-31 January, today unveils the 30 finalists of midemlab, the international pitching competition for ground-breaking start-ups and app developers across all sectors as well as the names of the 10 finalists in the midem Marketing Campaign Competition, to identify the most innovative and creative use of music in a marketing campaign.

The midemlab finalists – chosen by UK digital consulting company Music Ally and French specialist open innovation consultancy, bluenove – will present their projects to a jury of leading international digital experts including potential business partners and leading investment firms.

They will each outline their cutting-edge technical solutions that offer new opportunities to industry executives, artists and brands to reach and engage with new audiences and generate revenues.

Previous editions have provided a launch pad for some of today’s major technological innovations, such as SoundCloud, The Echo Nest, Songkick and Root Music. The list of finalists for 2012 will herald the next generation of innovation:

Music Discovery, Recommandation & Creation

ChartsNow.mobi (UK) – mass market mobile music service
MPme by Apsmart (UK) – curated internet radio
musicplayr (Germany) – music discovery & blogging
Navegas (Germany) – connecting the world of music tool
Rexly (USA) – social discovery & recommendation
Songs2See by Fraunhofer (Germany) – music game development
SoshiGames (UK) – game-based social music discovery
Twusic by LemonLab (Belgium) – Twitter music application
Watzatsong (France) – crowdsourced music search engine
WhoSampled (UK) – music discovery

Marketing & Social engagement

BandApp (UK) – free instant artist app creation
Beloola by V-Cult (France) – social music service
CrowdSurfing by LiveOne Group (USA) – live content social viewing app
Flowd (Finland) – music marketing and social music service
iPluggers (Netherlands) – worldwide digital radio promotion
Oocto by GeniusMonk (France) – crowdfunding & crowdsourcing music platform
Pipe (Germany) – file transfer for social networks
RockStar Motel (USA) – fan-centric music social network
Tastebuds.fm (UK) – social events discovery
Webdoc (Switzerland) – fan engagement

Direct to consumer sales and Content Monetisation

Getonic (Israel) – direct to consumer social ecommerce
Menyou (Sweden) – online sales and distribution tool
Musicsoft Arts (USA) – interactive music discovery, playback and sales
My Bee (France) – access control and dematerialized payment
Ondango (Germany) – Facebook commerce solution
SonicAngel (Belgium) – next generation crowdfunding label
TuneRights (Sweden) – stock market for music
Tunipop (USA) – connecting merchandise with digital music
Weezevent (France) – cloud ticketing service
WildChords by Ovelin (Finland) – guitar learning game

For full details of midemlab finalists, click here.

midemlab is sponsored by Vivendi.

BITKOM, Cap Digital, Evolver.fm, Finnish Mobile Association, French Web, GigaOM, media.net berlinbrandenburg, Microsoft BizSpark, Mobile Entertainment, Mobile Marketing, Music 4.5, Music Ally, Techdirt and Wireless Industry Partnership (WIP) are partners of midemlab.

For the midem Marketing Campaign Competition which rewards the most innovative and creative use of music in marketing, Contagious, cited as the ad’s industry’s authority on creativity and innovation, has picked the 10 finalists. Of the submitted campaigns, 23% came from transport brands, 21% from major retail names, 19% technology brands, 17% from the luxury and beauty sector, 7% from entertainment, 7% leisure, 4% finance and 2% from institutions. These campaigns all have one thing in common: a strong musical element, either through the use of a synchronisation, an artist/brand endorsement, live sponsoring, discovering talent or creating a record label.

The 10 chosen campaigns are:

• “AIRTEL ONE8 – The Birth of a Music Revolution” presented by ROCKSTAR4000 Music Entertainment (South Africa)
• “Carte Musique” presented by Euro RSCG C&O and The Hours (France)
• “Converse Rubber Tracks” presented by Cornerstone and Converse Inc. (USA)
• “HTC Chacha Show” presented by Newcast – Vivaki (France)
• “Mein Tweet als Lied. Mit Vodafone” presented by Torben, Lucie und die gelbe Gefahr GmbH (Germany)
• “Plan B- Ballantine’s” presented by Optimedia and Digital Novaemusik (Spain)
• “The Spa Therapy Album” presented by Pitch & Sync (UK)
• “The Station Sessions Summer Festival” presented by The Syllabus Agency (UK)
• “The Vaccines ‘Wetsuit’ Instagram Video” presented by Anomaly (UK)
• “American Express Unstaged” presented by Digitas and Momentum (USA)

These campaigns will be presented on Saturday 28 January in Cannes to a jury made up of executives from the music industry, advertising agencies and brands, plus media personalities. The winner will be announced as part of the programme of Visionary Monday.

For full details of the selected midem Marketing Campaign Competition campaigns, click here.

Brandchannel, brand-e.biz, Contagious, Frenchweb.fr, Influentia, Stratégies and the UDECAM are partners of the midem Marketing Campaign Competition.

If you wish to register for midem, please click here.
___________________________________

ABOUT REED MIDEM

Founded in 1963, Reed MIDEM is a leading organiser of professional, international tradeshows. Reed MIDEM events have established themselves as key dates in professional diaries. The company hosts MIPTV, MIPDOC, MIPCOM, and MIPJUNIOR for the television and digital content industries, MIDEM for music professionals, MIPIM, MIPIM Asia and MAPIC for the property and retail real estate sectors.

Reed Exhibitions is the world’s leading events organiser, with over 460 events in 36 countries covering 44 industry sectors. In 2010 Reed brought together over seven million active event participants from around the world generating billions of dollars in business. Today Reed events are held throughout the Americas, Europe, the Middle East and Asia Pacific, and organised by 34 fully staffed offices.

(Source: 12/14/2011 – MIDEM 2012 | Press Releases & Press Kits)

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Forbes Magazine (10/29/09): Brewster Kahle is a thorn in Google’s side

Posted by ElJay Arem (IMC OnAir) on November 3, 2009

Forbes.com – Ideas & Opinions

Lend Ho!

Quentin Hardy, 10.29.09, 08:40 AM EDT
Forbes Magazine dated November 16, 2009

Brewster Kahle is a thorn in Google’s side.

Brewster Kahle is a thorn in Google's side (c) Robert Houser

Brewster Kahle is a thorn in Google's side (c) Robert Houser

The internet and Brewster Kahle have been good to each other. He made millions from his networked computing inventions and plows millions back into expanding, documenting and providing access to the World Wide Web’s digital trove–in particular, books. He sees his mission as saving the Internet from bad business motives.

“We have to have universal access to everything, just like a library,” he says. “Do we want that under a single corporation’s control? It is openness, not corporate control, that propels capitalism.”

Single corporation? That would be the octopus known as Google ( GOOG – news – people ). Google has scanned 10 million books and makes them available for free searching. But there are those who suspect that Google’s intentions are not entirely altruistic. At a minimum, says Kahle, a 49-year-old whose motto is “universal access to all knowledge,” the world needs a diversity of book digitizing sources. Google, a onetime ally, is “a company run by lawyers, always out to see what they can get away with. We need more choice and competition than they want.”

Digital libraries will shape education, creativity and our shared intellectual heritage, Kahle declares. As founder and director of the Internet Archive, Kahle has posted online digital copies of 1.7 million books, 100,000 hours of television, 200,000 video clips, 70,000 concerts and 415,000 audio recordings. All that material can be downloaded for free from the Archive’s Web site.

Kahle has been compiling the library since 1996, two years before Google was incorporated. While many philosophers talk about the promise of free universal access to knowledge, perhaps no one person has done more than Kahle to make it real.

About half the scans from Kahle’s Archive come from Google. People download the Google volumes, then upload them to Kahle’s outfit. Google has not sued him to stop that. Now Kahle seems ready to undermine the search giant himself, for the sake of free content. The cost of keeping the Archive’s 1,000 servers, mostly near San Francisco, is largely funded by libraries and foundations, some of which pay the Archive to scan their books.

On Oct. 19 Kahle released a technology, called Bookserver, that makes it possible for any author, publisher or library to offer a scanned book for free, for sale or on loan. The publisher uses Bookserver software to convert a photo of the original page into a text file, which can then be indexed or fed into a speechifier (for, say, a blind book consumer). The texts can be read on e-book devices like Amazon’s Kindle, Sony  ( SNE -  news  -  people )’s Reader, Apple  ( AAPL -  news  -  people )’s iPhone and certain laptops. Access to more devices is coming. The files, almost entirely text, are distributed directly from the source controlling the volume, not the Archive itself.

Bookserver uses a range of open source and proprietary electronic book standards, search algorithms, editing tools and libraries. The architecture, as Kahle calls it, potentially separates manufacturers of devices from control over much of the content inside them. It also preserves the idea of the lending library–if you “check out” a volume, others cannot access it in the time allowed to you. Publishers sell their books in the system using credit cards.

The lending angle may be a way to foil Google’s claim on millions of so-called “orphan” books, or texts published since 1923 that are no longer in print. These books are not out of copyright but for the most part are abandoned by their owners, giving some justification to Google’s finders-keepers approach (in which a copyright owner has to opt out to keep a book from the Google library). Kahle’s Archive doesn’t have the post-1923 orphans. But Kahle hopes libraries will use the new Bookserver technology to scan and electronically lend orphans. Kahle reasons that libraries can scan and electronically lend their orphans without violating any laws, just as they lend those volumes today.

Google scanned its books over the past several years, initially claiming rights to reproduce brief snippets of orphans and other texts under the same “fair use” rule that allows book reviewers to quote from a book without permission. At first most authors and publishers were happy that someone was taking the printed past into the digital future. Then they started fretting about who would get rich off this trove. Google now plans to offer its whole library of scanned texts on a rental basis to libraries and in some cases sell individual volumes.

Under threat of lawsuits that could shut down the business, Google’s solution was to work with a handful of publishers and authors in creation of a Book Rights Registry, where authors and publishers could lay claim to their orphaned works. Kahle and others note that Google did no creative work on the books, just photographed them. In the initial registry agreement, now undergoing revisions after objections by both the government and other businesses, Google was the only listed vendor of the texts, raising questions about what status future entrants might have. “They want to monopolize books, particularly out-of-print books,” Kahle says.

If Google’s registry settlement does acquire the force of law, future digitization efforts could be curbed, or simply ignored as one provider becomes the source of choice–the way iTunes dominates digital music and Google gets eight-tenths of all search queries. “Digital stuff is really prone to monopoly,” says Kahle. “The low cost of distribution means you can dominate something very quickly.”

Google, not surprisingly, says it is only here to help. “I am surprised at the amount of confusion and misinformation there is out there,” says Dan J. Clancy, head of Google’s digitization project. “We strongly hope others will enter the market–but we haven’t seen commercial scanning on a large scale.” Indeed, Microsoft ( MSFT – news – people ) has abandoned its effort.

Kahle graduated from MIT in 1982 with a bachelor’s degree in computer science and engineering and a specialty in artificial intelligence. He helped start a company called Thinking Machines, which built supercomputers that used parallel processing (arrays of calculators working shoulder to shoulder). Among other things, the machines were very good at searching the contents of other computers. In 1988 Kahle started Wais as a research project and in 1991 created Wais Inc., a Menlo Park, Calif. company that scanned and listed the content of computer servers on the Internet for better understanding and retrieval. Customers included Dow Jones, the New York Times and the U.S. government, but the project was bypassed as the freedom and superior design of the Web made content accessible to all.

“Back then, we thought you could find and publish things you found for money,” he says. “You couldn’t, until Jeff Bezos and Steve Jobs found ways for individuals to pay for digital content.” In 1995 he sold Wais to America Online for $15 million.

Kahle and his Wais partner, Bruce Gilliat, started both the Internet Archive and Alexa Internet, a company that created software that logged traffic patterns and recommended sites on the Internet. They sold it to Amazon in 1999 for $250 million in stock. The Archive also hosts the Wayback Machine, which preserves Web pages that might otherwise be altered or destroyed. It has 150 billion of those–everything from yesterday’s FORBES online to the 1996 Yahoo ( YHOO – news – people ) home page–available for free. Owners of the pages can opt out and retroactively remove their pages from the Wayback Machine.

Kahle and his wife have put $45 million into a foundation, which should keep Bookserver going for a long time. So far only one big library, the University of Toronto, has signed up to use the Bookserver lending function, but more are expected to join soon.

“This is like those old movies of airplanes trying to get off the ground in 1910,” Kahle says. “We don’t have a 747 yet–but we will, if we open things up enough.”

(Source: (c) 10/2009 – Forbes.com – Ideas @ Opinion)

bookserver3-1

The BookServer is a growing open architecture for vending and lending digital books over the Internet. Built on open catalog and open book formats, the BookServer model allows a wide network of publishers, booksellers, libraries, and even authors to make their catalogs of books available directly to readers through their laptops, phones, netbooks, or dedicated reading devices. BookServer facilitates pay transactions, borrowing books from libraries, and downloading free, publicly accessible books.

(Source: Archive.org – Bookserver)

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India Week Hamburg 2009 Hamburg baut seine Beziehungen mit Indien weiter aus

Posted by ElJay Arem (IMC OnAir) on October 19, 2009

19.10.2009 16:00:32

(PA) Hamburg, 19. Oktober 2009. Indien in Hamburg erleben: Vom 23. Oktober bis 1. November findet zum dritten Mal die India Week in Hamburg statt. Ein vielfältiges Programm mit rund 30 Veranstaltungen informiert über aktuelle Handlungsfelder und Entwicklungen der indischen Wirtschaft, Politik und Kultur. Dabei geht es um Chancen und Perspektiven einer engeren Zusammenarbeit zwischen Hamburg und Indien.

(c) Joerg Boethling / agenda-fototext.de, 'Solarenergie Rajasthan', honorarfreie Veröffentlichung nur im Zusammenhang mit der India Week 2009

(c) Joerg Boethling / agenda-fototext.de, 'Solarenergie Rajasthan', honorarfreie Veröffentlichung nur im Zusammenhang mit der India Week 2009

Indien ist neben China für Hamburg einer der wichtigsten Handelspartner. Trotz der Wirtschaftskrise verzeichnet das Land ein nahezu ungebremstes Wirtschaftswachstum. Der Anteil Hamburgs am deutschen Außenhandel liegt mit 11,4 Prozent auf hohem Niveau, Tendenz steigend. Große Hoffnungen werden nach den Wahlen im Frühjahr in die indische Regierung gesetzt, ihren Reformprozess der Öffnung fortzusetzen. Diese Entwicklungen und ihre Konsequenzen für die Beziehungen zwischen Hamburg und Indien stehen vom 23. Oktober bis 1. November auf dem Programm der India Week 2009.

„Die Zusammenarbeit mit Indien bietet für Hamburg ein erhebliches Potenzial, sowohl für Handel und Wirtschaft als auch für Wissenschaft und Kultur. Darum freue ich mich sehr, dass Hamburg mit der India Week 2009 das Tor für Kooperationen mit Indien weiter öffnet“, sagt Hamburgs Erster Bürgermeister Ole von Beust zum Start der Veranstaltungsinitiative. Am 26.10. wird er zu einem Senatsempfang im Hamburger Rathaus rund 400 Gäste der India Week begrüßen, darunter zahlreiche Hamburger Indien-Akteure, indische Gäste und Fachdelegationen aus den Bereichen Hafenwirtschaft, Erneuerbare Energien, Life Science, Bildung, Kultur und Wissenschaft.

Gefördert durch den Senat der Freien und Hansestadt Hamburg wird die Veranstaltungsreihe von vielen Indien-Akteuren aus Hamburg und Schleswig-Holstein getragen, darunter der German Indian Round Table (GIRT), die Senatskanzlei, die Behörde für Kultur, Sport und Medien, die Handelskammer Hamburg sowie die HWF – Hamburgische Gesellschaft für Wirtschaftsförderung und die WTSH Wirtschaftsförderung und Technologietransfer Schleswig-Holstein. Auch Organisationen wie GIGA German Institute of Global and Area Studies, der Ostasiatische Verein (OAV) und die Deutsch-Indische Gesellschaft sind mit dabei.

Kooperationsfelder Hafenwirtschaft, Logistik, Erneuerbare Energien und Life Sciences

Neben zahlreichen kulturellen Veranstaltungen (Infos unter http://www.india-week-hamburg.org) finden Tagungen und Workshops zu politischen und wirtschaftlichen Themen statt: etwa am 26.10. in der Handelskammer zum Thema „Hafen und Schifffahrt – Kooperationen zwischen Indien und Hamburg“. Zum Thema „Neue Chancen für die Deutsch-Indischen Wirtschaftsbeziehungen nach den Wahlen?“ veranstalten GIRT und Handelskammer am 27.10. eine Tagung am selben Ort. Axel Gedaschko, Präses der Behörde für Wirtschaft und Arbeit, und Frank Horch, Präses der Handelskammer Hamburg, begrüßen dazu hochrangige indische Gäste aus Wirtschaft und Politik, darunter auch den indischen Botschafter aus Berlin.

Im Haus der Wirtschaft in Kiel findet am 29.10. eine Veranstaltung der WTSH zum Thema „Wachstumsmarkt Indien – Markterfolg trotz Krise“ statt. „Erneuerbare Energien – Partnerschaft mit Zukunft“ thematisiert eine Veranstaltung der Behörde für Wirtschaft und Arbeit am 29.10. in der Handelskammer Hamburg. Und zum vierten Mal findet das „Hanseatic India Colloquium: Healthcare, Biotechnology and Pharmaceutical Sciences“ am 30.10. im Sprinkenhof statt, das der in Hamburg lebende indische Unternehmer Amal Mukhopadhyay (ELGA Biotech) ins Leben gerufen hat.

Indisch-Deutsche Kooperationen in Wissenschaft, (Weiter-)Bildung und Wirtschaft diskutieren Austauschstudierende und Wissenschaftler am 29.10. auf einer Veranstaltung der Cognos International GmbH und der Fachhochschule Lübeck. Und zum Ausklang lädt die Deutsch-indische Gesellschaft am 31.10. die hier lebenden indischen Mitbürger und Indien-Akteure zur Feier des traditionellen indischen Lichterfestes DIWALI ins Hamburg Haus Eimsbüttel.

Weitere Programminformationen, kostenloses Bildmaterial und eine 22-seitige Sonderausgabe des Business Newsletters Indien aktuell mit Hintergrundinformationen zur India Week als Download finden Sie unter http://www.india-week-hamburg.org

(Quelle: 19. Oct. 2009 – Presseanzeiger – Meldungen | Handel – Wirtschaft)

Posted in Culture, Culture (news), Economics, Economics (news), Politics (news) | Tagged: | Leave a Comment »

MIDEM 2009 INTERNATIONAL INDIE SUMMIT

Posted by ElJay Arem (IMC OnAir) on January 17, 2009

The International Indie Summit at MIDEM is the place where indies discuss issues, share solutions and meet people who can help them grow their business.

midem-logo-2009-1

Organized in association with Impala & WIN, the International Indie Summit is chaired by Emmanuel Legrand, Editor of Impact Magazine.

International Indie Summit on Tuesday, 20th of January 2009 afternoon…

Labels artists call home
More and more artists are setting up their own label, not simply vanity labels to release they own productions, but full-fledged structures to sign, nurture and develop other artists. Sign of the times? Desire to take control of the creative and business process? Hear the story of some of today’s most creative labels (Bella Union, Buzzin’ Fly, DiamondTraxx, …) from their founders in a panel where art meets commerce!

Indies in the digital landscape
Collectively, indies represent one of the world’s biggest catalogue. However, many digital platforms or services have launched in recent times without any content from indie labels. What are the opportunities to be taken advantage of by digital services and indie labels? What could be done to improve the climate between them? Expect stimulating debate with representatives from both sides.

International Indie Summit Workshops on Wednesday, 21st of January 2009 morning

Getting started in America
Breaking in the US remains the ultimate goal for many executives in the music industry, but cracking the world’s largest music market is not that simple, and can be costly. Specialists of the US market — distributors, aggregators, managers, lawyers — will provide expert views on how to best approach the market.

How to manage the financial crisis?
In times of economic crisis like today, with recession looming and sparse credit, indie labels have problems of their own. How can they weather the storm with limited damages? Finance and management experts offer their solutions.

IAEL legal workshop
Learn how to negotiate at best distribution deals for artists & labels

BE THERE WHEN THE MUSICAL YEAR KICKS OFF!

MIDEM 2009 will offer you access to 9,000 key professionals from 90 countries for four days of high-level meetings, concerts and unparalleled conferences.

MIDEM is where all the sectors involved in the business of music come together to explore new possibilities for the coming years: recording & publishing, A&R, images & brands, digital & mobile.

Register to MIDEM/ MidemNet before November 17 to save 25%

MIDEM 2009, the World’s Music Market: 18-21 January 2009
MidemNet, Music business in the digital age: 17-18 January 2009

Website: http://www.midem.com

(Source: 8th Nov 2008 | VUT (Verband unabhängiger Tonträger Unternehmen e.V. – Berlin) | VUT-Online.de )

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6th South Asia Day – University Hamburg (15th Nov 2008)

Posted by ElJay Arem (IMC OnAir) on November 13, 2008

6th-south-asia-day-15112007-1

Posted in Culture, Economics | Leave a Comment »

5th South Asia Day – University Hamburg (24th Nov 2007)

Posted by ElJay Arem (IMC OnAir) on November 24, 2007

5th-south-asia-day-24112007-2

Posted in Culture, Economics | Leave a Comment »

 
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